novel

Deirdre Madden's most recent novel, Molly Fox's Birthday (Picador, 2010), is a beautifully written story that aptly conveys the complexity of a woman's emotional bonds with her family and friends. The story is focused on a single day in the life of an unnamed narrator, a playright who is staying over at the Dublin home of her closest friend of 20 years, an actress named Molly Fox. The narrator is trying to work on her latest play, but keeps getting distracted and winds up doing far more reminiscing and thinking than writing.

 

I was honored to conduct this interview via email with Deirdre, an acclaimed Irish novelist, to have her respond to some questions about the book, about writing, and about her own friendships. Molly Fox's Birthday was a nominee for the prestigious Orange Prize for Fiction.

 

Irene:
Why did you choose to tell your story within the confines of a single day in the life of the main character?

Deirdre:
A book that was very much in my mind when I was writing Molly Fox's Birthday was Virginia Woolf's Mrs. Dalloway. I liked the balance between the past and the present, and it seemed like a good model, a good way to arrange the material. My writing tends to be quite introspective and is concerned with memory rather than being active and narrative-driven. Setting the novel over a single day allowed for these elements to find a suitable balance.

 

Irene:
Why did you leave the main character unnamed?

Deirdre:
I liked the idea of knowing a great deal about a character - pretty much her whole life story - and yet not knowing her name. Usually it's the other way round: when you present or describe someone, the first thing you say is ‘This is...' and you name her. So it was a way of holding something back, of signalling a bit of distance between the reader and the narrator. On the same subject, when writing a novel, often you know that you've got to grips with a character when you've got a name for them that you know really suits.

 

Irene:
Is the narrator's flow of thoughts, procrastination, and writer's block something you've experienced first-hand?

Deirdre:
When you're writing a novel there are times, particularly at the start of the project, when, I find, you need to be quite passive and vague. You need to be receptive, to day-dream a bit, to follow stray thoughts that might or might not lead somewhere and become useful. The trick is to know when to move on from that phase to a more focused and active mindset. If you don't get it right, you do end up wasting time and procrastinating, stuck on something that's going nowhere. I suspect that sooner or later most writers go through something similar to the narrator's creative problems in Molly Fox's Birthday. You just keep going and you get through it.

 

Irene:
Do you have many long-term friendships of your own and how have they weathered the years? Do you believe in such a thing as "friends for life?"

Deirdre:
Yes, I have quite a few long term friends, some of them very long term indeed! Everyone changes as the years pass, but in a true friendship there's something at the heart of it that either evolves with the changes, or else over-rides them so that they don't matter. Circumstances can change but the thing that drew you to that person in the first place can stay constant. But like any important relationship, you can't take a friendship for granted or neglect it. It merits attention and respect.

 

Irene:
Why did you characterize Molly as a friend-poacher? What are your thoughts about friend-poaching (taking someone else's friend and making them your own)?

Deirdre:
Although she is vulnerable in many ways, Molly Fox has a much stronger personality than her friend, the playwright who narrates the novel, and has a stronger will. What one person sees as friend-poaching another will see simply as mutual friendship. Much depends upon the nature of the friendship that is being encroached upon: often the person about to become the wounded party won't have fully understood or admitted to the real nature of a friendship until they feel it to be under threat. That's certainly the case in the novel.

 

Irene:
Do family relationships, in any sense, predetermine our friendships?

Deirdre:
I'm very interested in relationships within families, most particularly siblings where one person is an artist - a painter, a writer or an actor - and how that impinges upon their brothers and sisters. Family and friends aren't, of course, mutually exclusive, and I believe people who are happy and at ease in their families are more likely to be relaxed about making connections and friendships outside the family. I suppose most of us take some kind of lead from our parents on how we conduct friendships, without our even being conscious of it. Molly Fox's Birthday is about family as well as about friendship.

 

Friendship by the Book is an occasional series of posts on The Friendship Blog about books that offer friendship lessons. 

 

 

*****BOOK GIVEAWAY

To be eligible for a free copy of Molly Fox's Birthday, post a comment about friendship, writing, or friend poaching here. Please include your email address so I can contact you if you are the winner. (If you don't want to post your email address here, you can post the comment and send your email address to me at irene@thefriendshipblog.com/)

Winners will be selected at random from all entries received by 11:59 PM on Sunday, August 15, 2010. U.S. shipping addresses only, please. Good luck, girlfriends!

 

Allison Winn Scotch's novel, The One That I Want (2010), is an engaging summer beach read that makes you think about the friendships you have and those that have drifted apart.

 

The main character, Tilly Farmer, is a 30-something high school guidance counselor who marries her high-school sweetheart, and still lives and works in the same small town where she grew up. As the story unfolds, we learn how Tillie's past has affected her current relationships. With the help of an old friend and a dash of clairvoyance, Tilly begins to re-examine the choices she's made.

 

I asked Allison, my friend and colleague, about her latest book, her characters and her own friendships. Also check out my previous interview with Allison soon after the release of her last NYT bestseller, Time of My Life.

 

Irene:

Two of the characters that figure prominently in The One That I Want are Tilly Farmer's friends, Susannah and Ashley. Both friends support Tilly during some tough moments in her life. What role have your own friendships played in developing these characters?

 

Allison:

Well, Susannah is a compilation of a few of my closest friends - not in terms of personality or what she goes through, but the understanding of that unconditional support that they offer. That, in your lowest of moments, that she'll show up with a bottle of wine or answer that phone call in the middle of the night or get you out of the house if that's what's called for. I'm someone who can probably count her really true honest-to-god best friends on one hand, but those women are like sisters to me, and so that's more than enough. And that's what Susannah is for Tilly.

As far as Ashley, she was a reflection of some of the friends I've outgrown (or who outgrew me). I think we all have those friends too: girls you were blood sisters with until, say, you hit puberty or went to college or even grew out of in your twenties, and you still look back on them fondly, but now maybe don't have so much in common with anymore.

In Ashley and Tilly's case, they find a way to forge new bonds, but their relationship isn't based strictly on the past, and I think this is important if you're going to renew a friendship like this. It's all well and good to sit around and laugh over high school, but an honest friendship needs more than that. Eventually, Ashley and Tilly discover their new common ground.

 

Irene:

At the start of the story, Ashley feels more like a frenemy than a friend. What happens to Tilly's friendship with Ashley over time?

 

Allison:

A few things. For one, Ashley is the person who literally sparks Tilly's "clarity," which Tilly initially resents and blames Ashley for. But because of this, they start interacting more, and when Tilly really starts to unravel, she realizes she needs someone in her corner, and surprisingly, she wants that person to be Ashley, who is having plenty of problems of her own. And in watching her cope with these problems, Tilly discovers she has a begrudging admiration for Ashley's tenacity. Sometimes - and I've experienced this in my own life - the people you expect to have your back aren't there for you in the way you anticipate, while other people step up and offer support in ways you wouldn't have imagined. That's what happens exactly with Tilly and Ashley - the support and growth and learning goes both ways.

 

Irene:

Because Tilly has remained in the town where she grew up, her friendships have remained fairly constant. Do you think that is a good or bad thing?

 

Allison:

For me, I'm not sure that it would be a good thing, but I know that there are plenty of people for whom it is. What's interesting for me, in terms of assessing my friends and friendship groups, is that many of my truly dear friends are women I've met it my adult life, women who share commonalities with my life now and that's why we've become close. I also have a very tight core group of friends from college, and those women are invaluable to me too - that shared history is important but, at least with the ones I've stayed close with, we also still grown up together and share some similarities in our adult life.

So again, this is just for me, but my friendships are almost similar to romantic relationships in the sense of it's important to me that they not just be about nostalgia but are current and in-the-moment and pertinent to what's happening now, around us, in our thirties. Which isn't to take anything away from childhood friendships or staying close to the friends you grew up with. AT ALL. I think that's admirable too - and it's really what works for each individual. Only that now, at 37, what works for me is that many of my dearest friends are women I've known since my mid-twenties, not necessarily earlier.

 

Irene:

You use the term "friendship fidelity" in the book? What does that mean to you?

 

Allison:

For me, this gets back to your first question: that underlying understanding that through thick and thin, Susanna would be there for Tilly. And I feel the same way about some of my own friends - there is very little I wouldn't do for them. At the same time, many of my friendships have their own rhythms and tides: sometimes, I may literally go two months without connecting with my best friend, but there is no doubt that when either one of us picked up the phone and truly needed the other, that we'd be there.

I feel like the strongest friendships - at least in my life - are those that don't need daily reassurance. It's enough for me (and my friends) to know that somewhere out there, someone has my back, and that when that times comes - whether I just want to crack up for 20 minutes on the phone or am really embroiled in a true crisis - that woman will be there for me, hands down. I'm pretty grateful to know that I have the security of this and to have these women in my life.

 

Friendship by the Book is an occasional series of posts on The Friendship Blog about books that offer friendship lessons.

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Although it's sometimes hard to accept, life never evolves like a fairy tale. Journalist and author Irene Zutell's latest novel, Pieces of Happily Ever After (St. Martin's Griffin, 2009), sensitively captures the inevitable struggles that women encounter along the way, including: infidelity, divorce, balancing care for children and parents, juggling work and family, growing up, achieving independence, losing friends and making them.

 

You'll meet protagonist Alice Hirsch, a PR guru, who is married to Alex, an entertainment lawyer. They have a precocious five-year-old daughter and Alice is the primary caregiver for her mom, who has been diagnosed with Alzheimer's disease. When Alice's husband suddenly dumps her, very publicly, for a Hollywood starlet, she has to find a way to dig herself out of her problems and repair her damaged self-esteem. With the support of her "mommy friends," a cast of equally interesting and well-developed characters, Alice is not only rescued but finds she is able to define her own "happily ever after."

 

Set in California's San Fernando Valley, this story could well take place in any middle-class suburb. This particular backdrop provides a vehicle for the author to weave comic relief and celebrity culture into a thoroughly engaging and entertaining storyline. The well-paced plot offers a perfect blend of familiarity and surprise to grip the reader's attention from beginning to end.

 

Of course, I loved some of the lessons the book offers about mommy friendships---e.g. That woman need to actively forge new friendships as our lives change; that office friends can turn out to be nothing more than that; that we need to guard against judging friends too critically before we know them; and that adversity often helps us recognize our true friends. While friends and lovers play prominent roles in the book, its layered depiction of mother-daughter relationships is especially compelling.

 

 

Friendship by the Book is an occasional series of posts on The Friendship Blog about books that offer friendship lessons.

You may not be able to picture yourself in a relationship like that of Wendy and her college friend Daphne but in the larger-than-life caricatures of two quintessential New Yorkers, novelist Lucinda Rosenfeld captures the essence of many close female friendships.

 

Daphne Uberoff is stunningly beautiful and has all the trappings of material success; Wendy Murman is a struggling magazine writer, with fertility problems and a slacker husband. As the gap between the two women widens, the jealousy and envy that Wendy harbors grows so extreme that it becomes corrosive.

 

I'm So Happy For You (Back Bay Books, 2009) portrays a less than perfect relationship between best friends that falls short of the romanticized notion we usually read about in novels. As often happens in real life, the huge fissures in this friendship are varnished over with the protective glue of shared history and experiences; the predictability of personalities (despite their peccadilloes); and with having friends and acquaintances in common. In such circumstances, no matter how bad or disappointing a relationship becomes, it's hard to let go.

 

In this breezy, light-hearted and engaging read, Rosenfeld aptly drives home the point that when it comes to best friends, these relationships aren't always as they appear to be.

 

 

'Friendship by the Book' is an occasional series of posts on this blog about books that offer friendship lessons. To read other posts in the series, use the search function on the right side of the page.

One of the things that turns acquaintances into close friends is the sharing of a common bond between them. The Professors' Wives' Club revolves around four women, so different from one another that they might even appear unlikely as friends. But they share the unique connection of living in faculty housing (three of them faculty wives) at the fictional Manhattan U, a thinly disguised version of New York University.

 

In this breakout first novel, Joanne Rendell creates powerful characters struggling to define their roles as women and an engaging plot that keeps you glued until the end. The alternating chapters introduce the reader to Mary, Ashleigh, Sofia and Hannah whose individual stories touch upon a wide range of women's issues, such as infidelity, domestic abuse, intergenerational friendship, homosexuality, and work-life balance.

 

The commonality that brings these four women together is that the beautiful little garden adjacent to their University Housing, which has become their sanctuary and meeting place, The space is threatened with demolition (slated to become a parking lot) by a greedy, self-promoting Dean, a husband to one of the women.

 

In devising a plan to save the garden (in keeping with NYU's reputation as a hotbed of protests), they accomplish far more than they ever hoped: They develop a sisterhood that enables each woman to bravely pursue her dreams and live her life more fully. They evolve into far more than appendages to their accomplished husbands.

 

In the genre of The Wednesday Sisters and The Friday Night Knitting Club, the book portrays a circle of friendship that women crave and need, no matter what their role or station in life.

 

Joanne discussed her book's relevance to female friendships:

QUESTION:

Has it been easy or difficult to find an affinity group among faculty wives? Do you think that it is geographical proximity, similar roles, both, or is it something else that bonds you together? Does level of education play a role in helping you develop satisfying relationships with one another?

ANSWER:

Professors' wives -- and of course there are professors' husbands and partners too -- are in an interesting position. Even if they are not professors themselves (which many are), they are often deeply embedded in the university world. They live in faculty housing, they work out at the campus gym, and/or their kids go to the same university childcare. Geography and a shared involvement in campus life, therefore, means faculty wives interact more often than, say, doctor's wives or engineer's wives.

As a professor's wife myself, I've met some wonderful faculty wives, who are now my good friends, while at playground owned by New York University where my husband is a professor. Also, my husband and I are faculty-in-residence at one of the university dorms and I have met other fabulous wives through this program.

In my experience, professors' wives are an incredibly smart, strong, and spirited group of women. At the same time, we all come from very different backgrounds and have different levels of education. But I think the shared bond of the university is a strong one and provides a great backdrop in which women can find one another and foster friendships.

QUESTION:

The relationships you describe seem to be driven more by sharing a common purpose there than by a sense of intimacy between the women. Is that an accurate assessment/portrayal?

ANSWER:

It's true. The women in my book are brought together initially by the desire to take on the mean dean and save the faculty garden, rather than a sense of intimacy. Yet a real intimacy begins to grow between them as their campaign progresses. They share secrets, they support one another, and find that in spite of their differences they have many commonalities too. The novel takes place over just a couple of months and these are the first months of the women's fledgling friendship. I'm sure these women, with time, would grow deeper and more intimate bonds that would go way beyond the purpose that first brought them together.

QUESTION:

You also stayed clear of discussing any of the jealousies that might occur among a group of female friends (e.g. two becoming more friendly than the rest). Was this purposeful?

ANSWER:

Relationships between women frequently get a bad rap, in my opinion. Women are too often portrayed in film, TV, and books as bitchy, competitive, and at odds with one another. We constantly see the bitchy woman boss mistreating the young female employee; or the woman who treats her nanny like a slave; or the sisters who hate one another; or the mother and daughter who constantly fight; or the "friends" who bitch behind each other's back or betray each other over a guy.

Granted, in real life, women can be like this -- but not all the time. Women, in my experience, also have wonderful, supportive, and nurturing relationships with other women.

QUESTION:

Does playing a supporting role to an academic husband enhance the need for female friendships?

ANSWER:

Most professors' wives' I know would not see themselves playing a "supporting role." On the whole, they are independent women who have interesting and successful careers of their own. However, in many cases, the professor husband is the main breadwinner and thus his family has to follow where his job and career take him. This means many faculty wives move to university towns where they know few people and where they might have to start new jobs. Friendships with other wives or other women on campus are therefore very important -- and sustaining.

QUESTION:

Why were you drawn to write about the power of female friendships?

ANSWER:

Throughout my life, I've always been lucky enough to be surrounded by wonderful female friends. When I was in grad school doing a PhD in Literature, I had some particularly incredible girlfriends. We shared a house, we supported each other, read one another's papers, and of course had a lot of fun together. It was a beautiful time! Even though I'm now married with a child, I still thrive on my female friendships. I'm currently part of a group of mums who are all, like me, homeschooling our preschool/kindergarten age kids. The women in this group are amazing -- artists, activists, doulas, writers -- and so supportive. I couldn't imagine trying to be a mum without them!

From the moment I started writing fiction, I knew I wanted to write something that celebrated these intensely loyal and positive female friendships.